Saturday, January 27, 2007

Metallica's Master of Puppets named most influential metal album

[Image]Metallica's classic 1986 record Master of Puppets has been selected as the most influential heavy metal album of all time by pop culture web site IGN Music. The editors explained their choice by saying that the band's third effort "built upon and perfected everything they had experimented with prior. It's the album where all the pieces come together in glorious cohesion and it's the album that finally woke the general public up to the power and the glory that Metallica was born to spread." Two other Metallica discs also made the Top 10, more than any other act.

The band itself seemed to recognize the status of Master of Puppets last summer when it played the album in its entirety on a European tour. Drummer Lars Ulrich told us that playing the entire set live has also influenced the direction of the next Metallica effort: "It was a great thing having to revisit Master of Puppets because it kind of forced us to step it up a little. You know, a lot of the fans, I think, recognized that we were kind of maybe firing on more cylinders last summer when we played the European run and so on, and I think we've got some of that same energy going now. There's a lot of attitude and it's pretty high energy."

The band is currently recording its ninth studio album with producer Rick Rubin for release later this year.

IGN's Top 10 most influential heavy metal albums of all time were:
1. Metallica - Master of Puppets
2. Black Sabbath - Paranoid
3. Iron Maiden - The Number of the Beast
4. Megadeth- Rust In Peace
5. Metallica - Ride The Lightning
6. Ozzy Osbourne - Blizzard of Ozz
7. Slayer - Reign In Blood
8. Dio - Holy Diver
9. Metallica - ...And Justice For All
10. Motorhead - Ace of Spades

The extended Top 25 included albums from Pantera, Judas Priest, Motley Crue, Deep Purple, Scorpions and others.

Metallica Featured On 'We All Love Ennio Morricone'

More information has been revealed about the upcoming tribute album to Italian composer Ennio Morricone, best known to Metallica fans for writing "The Ecstasy Of Gold", the song from the classic film "The Good, the Bad and the Ugly" which Metallica has used at its live shows since 1983, reports Blabbermouth.net.
Titled "We All Love Ennio Morricone", the tribute album features Metallica performing "The Ecstasy Of Gold" as well as various other artists paying tribute to the composer, including Celine Dion, Bruce Springsteen and Roger Waters. According to Amazon, the album is due out February 23. The track listing is as follows:

01. I Knew I Loved You - Celine Dion
02. The Good, The Bad and The Ugly - Quincy Jones featuring Herbie Hancock
03. Once Upon a Time in the West - Bruce Springsteen
04. Conradiana - Andrea Bocelli
05. The Ecstasy of Gold - Metallica
06. Malèna - Yo-Yo Ma
07. Come Sail Away - Renée Fleming
08. Gabriel's Oboe - Ennio Morricone
09. Conmigo - Daniela Mercury featuring Eumir Deodato
10. La Luz Prodigiosa - Dulce Pontes
11. Love Affair - Chris Botti
12. Je Changerais d'Avis - VANESSA AND THE O'S
13. Lost Boys Calling - ROGER WATERS
14. The Tropical Variation - ENNIO MORRICONE
15. Could Heaven - DENYCE GRAVES
16. Addio Monti - TARO HAKASE
17. Cinema Paradiso - ENNIO MORRICONE

Friday, January 26, 2007

Microsoft + Metallica %)

Tuesday, January 23, 2007

VELVET REVOLVER 'Uninspired' Working With RICK RUBIN

Launch Radio Networks reports: VELVET REVOLVER initially began working on its second album last year with Rick Rubin, the superstar producer who's currently overseeing METALLICA and LINKIN PARK, and who has produced AUDIOSLAVE, SYSTEM OF A DOWN, JOHNNY CASH, the RED HOT CHILI PEPPERS and many others. But the band parted with Rubin after a brief time and hired Brendan O'Brien instead. VELVET REVOLVER frontman Scott Weiland told Launch why his band and Rick Rubin were not a good match. "If you're gonna work with a producer, unless you're gonna produce something yourselves, if you're gonna pay a producer, get in the trenches with us and work with us," he said. "The Rick thing didn't work out, and, you know, he was working on a couple of other things, METALLICA and U2, and so we kind of became very uninspired."

Brendan O'Brien has also worked with AUDIOSLAVE, PEARL JAM and Weiland's former group, STONE TEMPLE PILOTS.

VELVET REVOLVER hopes to release its sophomore CD, titled "Libertad", in late April or early May. Weiland is also working on his second solo album, which he said will surface sometime in 2008 on his own label, Softdrive Records.

Monday, January 22, 2007

TRIVIUM Drummer Says Luck Didn't Play Part In His Band's Success

With a sound comparable to Cliff Burton-era Metallica and youth on their side, Trivium is on a crusade to become the world’s biggest metal band. Since forming in 1999, the four-piece from Florida have been touring relentlessly, and their persistence has paid off with huge supports (Metallica, Machine Head, Fear Factory, In Flames), headline slots at major festivals (Monsters of Rock, Download, Ozzfest), loads of press (especially in UK mags like Kerrang! and Metal Hammer) and signing with Roadrunner Records. Just before heading out on a dream tour with Iron Maiden and then onto Australia for the Big Day Out, drummer Travis Smith speaks from the lounge room of his family home – where it all began.

“The reason I started Trivium was that I wasn’t happy playing rock, it wasn’t heavy enough. At 16 or 17, I said ‘screw this; I want to play metal, that’s what’s going to make me happy.’ I’m glad I realised that early on – I mean look at us now. It’s a trip, it’s awesome, it’s a dream come true for all of us.”


Smith says he grew up on thrash metal, and now Lars Ulrich is one of Trivium’s biggest fans. So, how does it feel to share stages with his heroes? “It’s an honour to play with bands like Maiden and Metallica, but it’s not like a strike of good luck. It’s come from all the hard work we’ve put in, the last six years of busting our arse. They notice how hungry we are. I think they respect that, because we remind them of themselves when they were our age.”

Does Smith ever pinch himself? “Totally man, but when you’re in the middle of it, it does fly by. You do sit back sometimes, though, and I’m totally proud of what we’ve accomplished, but I want to keep getting better.”At 24, Travis Smith is the oldest. The rest of Trivium is guitarist Corey Beaulieu (23), bassist Paolo Gregoletto (21) and singer/guitarist Matthew K. Heafy who will celebrate his 21st on Australia Day. All members still live with their parents, which Smith says is smart considering they spend most of their life on the road anyway. “We’ve talked about getting our own houses, but we’d be blowing all our cash then coming home to a dirty house with a crazy overgrown yard.”

Due to the success they’ve had at a young age, Trivium get flack for being rich boys who’ve had it served up on a platter. “That’s people who don’t have a clue what’s going on,” Smith retorts. “Maybe they don’t understand how you can be 18, 19 or 20 and be so set on what you want in life. Maybe they weren’t as headstrong, so they don’t get it. Sure, we’re living our dream at a very young age, but we’ve worked very hard and we’re very focussed. It’s not our fault if they didn’t do the same or haven’t made it as far as we have. They chose their path, we chose ours.”

The other thing that gets Smith’s goat is genre labelling. “It’s a bit much at times. In one of our first features in a UK magazine, the headline was ‘Metalcore’, and we’ve been fighting it ever since. At first, I’d get really annoyed, but now I think people around the world understand what we’re all about. They want to throw you into a category, but we don’t want a part of it. So if you have to throw us into a category…don’t. We’re just Trivium.”

In medieval universities, Trivium was the latin name given to the three subjects taught first – grammar, logic and rhetoric. In addition, looking at the album names Ember To Inferno (2003), Ascendancy (2005) and their latest effort The Crusade (2006), you can see that Trivium is on a journey to learn, grow and ultimately conquer. “We had our goals worked out from the start and it hasn’t changed a bit; anything it takes to get to where we want to be. That won’t change until we’re satisfied.” When will that be? “When we conquer the world! Every show gets us one inch closer. That’s our forte in life, getting up there and kicking arse on any stage; giving all our energy to put on the best show possible.”

Smith proudly says that in the last two and a half years, they have only cancelled one show. After covering plenty of territory in the USA with bands like Children Of Bodom, Machine Head and Iced Earth, Trivium were thrilled to do their first headline tour late last year. “The platform was set (to do a headline tour), so it was very special to us. We’ve been waiting to do it. The tour from start to finish was absolutely amazing. Fans were totally pumped from Florida all the way to Canada and back home; there was not one bad show. It was a great feeling for all of us.”

After so long on the road, Trivium is taking a well-earned break. “Touring is loads of fun, but it’s also good to be able to catch a breath,” Smith says as the family dog barks in the background. “We’ve been taking it easy, enjoying our houses, our own beds and our girlfriends.”

After the Iron Maiden tour, it’s onto Japan and Australia. The crusade continues with a US tour with Lamb of God and Machine Head in February, a UK headline tour in April and a European tour with Annihilator in May. Smith says he's an outdoorsy guy so he can’t wait to discover Australia. “I like canoeing, hiking and all that kind of stuff. I’ve heard it’s hot as hell out there in January. I’m from Florida, so bring it.”

In between camping trips Trivium will be playing the Big Day Out and a number of sideshows. “It’s very exciting for us because we don’t know what to expect. It’s a fresh stage, a fresh audience. We can’t wait to get out on the stage and show people what Trivium is all about. We get a lot of contact from Aussie fans through the web, so we’re totally amped to get out there and give it hell.”

No stranger to huge festivals, what will Trivium bring to the BDO? “We’ll be bringing Trivium. We’ll be bringing the metal.”

Trivium play the Big Day Out at Princes Park, Carlton, on Sunday January 28. They do their own headlining side show at the Palace on Tuesday January 30. The Crusade is out now through Roadrunner Records.

Trivium play the Big Day Out at Princes Park, Carlton, on Sunday January 28. They do their own headlining side show at the Palace on Tuesday January 30. The Crusade is out now through Roadrunner Records.

Saturday, January 20, 2007

Guitar Hero 2 - Master of Puppets by Metallica

Guitar Hero 2 - Master of Puppets by Metallica

METALLICA's LARS ULRICH On New Songs: 'We're Trying To Be As

METALLICA drummer Lars Ulrich recently spoke to Revolver magazine (web site) about the writing process for the group's new album, tentatively due before the end of the year via Warner Bros. Records. "It's nice not to walk into the studio and all of sudden there's three cameras in your face and you have to sit down and talk for four hours about how you were feeling last night," he said, referring to the film crew that documented every detail of METALLICA's meltdown during the recording of 2003's "St. Anger". We're kind of past that phase. Everybody gets along now. These days, it's fun going down to the studio — it's actually something I look forward to instead of dreading it. And I think that's a reflection of how far we've come."

Ulrich says that the sessions for the new CD, which the band is planning on recording in Los Angeles with producer Rick Rubin (SYSTEM OF A DOWN, SLAYER, AUDIOSLAVE, RED HOT CHILI PEPPERS), actually remind him of METALLICA's early years.

"It's James [Hetfield] and me going through riff tapes and picking out the best riffs, and then molding songs around that," he explained. "There's two separate processes — a songwriting process and a recording process. 'St. Anger' was an experiment in writing and recording at the same time. But this is like what we used to do back in the day: sit down, write a bunch of songs, then uproot and go somewhere else and record them." Ulrich said that Rubin — whom the drummer remembers showing up backstage at METALLICA gigs in the mid-Eighties with rough mixes of SLAYER's "Reign in Blood", which producer — "doesn't want us to start recording until every song that we're gonna do is as close to 100 percent as we can get it."

The band has roughly 25 new songs, a large pool Ulrich credits to jamming in the tuning room every night before they went onstage on the "St. Anger" tour. They're intent on whittling the final tracklist down to 12 or 14 tunes.

"The amount of material is a little overwhelming," Ulrich admitted, "so we're trying to be as self-critical as possible. It's great with Rick, because he doesn't really have any baggage with us. He just comes in and says, 'That's great. That's not so great.' I think after 15 years with Bob [Rock], it was just time to kind of reinvent the wheel. I think what happened with Bob was it got to the point where we just knew each other too well. And we needed a different dynamic."

Revolver's entire interview with Lars Ulrich can be found in the magazine's March 2007 issue, available on the newsstands now. More information is available at www.revolvermag.com.

SLAYER SLAM METALLICA

SLAYER frontman KERRY KING has hit out at metal rivals METALLICA, describing the band as a "sinking ship". King is amused by Metallica's decision to recruit super-producer RICK RUBIN to oversee their next album. He says, "I'm surprised he's going to be doing the (next) Metallica record because I don't know how he's going to right that sinking ship."